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Tao Te Ching
I first discovered the Tao when I was
15 years old. Although I hardly understood any of it at first reading, I
sensed that it contained wise and important teachings. I began a collection of
translations and would compare them to discern the inner meanings. It
was here that I first learned to see the limitations of duality, the difference
between the experience of reality and judgments about reality, and the
underlying oneness of being.
This version of the Tao that I adapted
from is a retelling by Stephen Mitchell, who assembled it from various
translations that he studied, without knowledge of the Chinese it was originally
written in. Although it is not a literal translation, it remains my favorite
because of its poetic quality and friendliness to our English language
sensibility. Although Mitchell is my favorite rendition, it lacks specific
insights that to me, unlock the inner message of the Tao.
It is in the spirit of sharing the
message of a “wise old man” that I take the liberty of reworking and adapting
Mitchell’s text. To look from the essence of the Tao, is to look from the
integration of Third Order Intelligence. I don’t think the Tao was written to be
a difficult or mysterious text. Rather, I think it was written to give simple
instruction in how to see the world, and how to be in the world. Buried under
literal translations, obscured by the
mindless conditioning and disempowerment of our own insight, the hidden treasures
of this ancient teaching have been difficult to access for too long a time.
If you connect with the
spirit of theTao, you likely
connect with Third Order Intelligence.
Educate and empower yourself.
About Lao-tzu, it's
author, there is practically nothing to be said. He may have been a contemporary
of Confucius (551-479 BCE) and may have held the position of archive-keeper in
one of the petty kingdoms of the time. But all the information that has come
down to us is highly suspect. Even the meaning of his name is uncertain (the
most likely interpretations: "the Old Master" or, more picturesquely, "the Old
Boy"). Like an Iroquois woodsman, he left no traces. All he left us is this
book: the classic manual on the art of living, written in a style of gemlike
lucidity, radiant with humor and grace and large-heartedness and deep wisdom:
one of the wonders of the world.
- From the forward by Stephen Mitchell.
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